the urban fox project

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encountering the foxes

My parents bought their house in Toronto's beaches area 43 years ago. It has a steep backyard with an undeveloped forest-like strip across the top and neighbouring properties, connected to a network of ravines in the area. Urban foxes, being nocturnal, seek safe resting places for the day, often in the sheltered yards of elderly people. Between 1999 and 2001, my parents' trimmed shrubs became a locus for them. On a sad and ominous note, most of the foxes that I photographed there - as many as nine at one time - have succumbed to the disease called sarcoptic mange. They are gone now, almost as quickly as they appeared, three years ago. The Urban Fox Project is a continuing exploration of their presence, and of the issues effecting foxes in downtown Toronto.

urban fox project

The Urban Fox Project draws on footage from my extensive archive of digital video of urban foxes, tracing peak population density in 1999-2000, through the decline in 2001 due to trapping and sarcoptic mange.

Animal Movies’ and ‘fox : future’ were informed by the chapter ‘Looking at the Non-Human’ in the book ‘The Culture of Nature : North American Landscape from Disney to the Exxon Valdez by Alexander Wilson (1989). This chapter explores how animal movies and TV have impacted on ideas of nature.
The project challenges human/animal binaries, partly through images of human and non-human bodies (close to me) that share space and experiences (including illness, mortality). The project promotes identification with animals in Lippit's use of the term : "Identifying with the animal is part of the process of becoming-animal." (Lippit 180) Foxscape will propose its themes in temporal, visual, spatial and digital (interface) languages, not only in written form. Animal bodies show that life cannot be subsumed into representation without loss. The quality of death, mourning and loss intrinsic in the absence of photography is foregrounded. ("Photography brings the spectator violently back to the reality of the real that appears, in the first instance, elsewhere." Lippit 180) Anthroporphism also provokes a collision with our embodiment, and prompts identification with animals through our shared animality.

 


Visit the Online Fox Project home page for more.